Chris B
master brummie
HI All,
as everyone appeared to enjoy the article CONFESSIONS OF A CINEMA EMPLOYEE I decided to put fingers to keyboard again and write another episode entitled FURTHER CONFESSIONS ....... (not very imaginative I know)
so here goes with chapter one.
Further Confessions Of ------
Chapter one
A LIFE CHANGING DECISION.
The Sheldon Cinema had now gone from the face of the earth, and the Presto supermarket was in full swing on the site, we needed another supermarket in this area like a hole in the head.
Now Prior to the final demise of the cinema and during the redevelopment planning process the owners had met with a hostile reception at the initial public meetings, in the redevelopment plans they even offered to include a community center for use by the local population, all this for just a pepper corn rent, if the residents agreed to the proposals, also there was to be a supermarket with a new cinema on the top, plus a small hotel with a multi storey car park at the rear, this first plan was thrown out because the residents whose houses faced onto the car park could all be overlooked by motorists parking their cars. The second presentation which was sometime later had a revised plan a lower multi storey car park, community centre and a supermarket with new cinema on top, no hotel, now the attendance to this second meeting was somewhat less well attended, but never the less the plan was thrown out again. It was now many months down the line and a third and last revised plan and meeting took place, the number of residents in attendance this time was negligible, the plan comprised of just the supermarket and a surface car park, no community centre, no new cinema. The previous opposition had been defeated by the developers spinning the time out and the apathy of the local residents that had crept in during this long and protracted planning application. And so the plans were given the go ahead. Now the public had a supermarket and nothing else and I had a model cinema in the back garden.
The year was 1979 and there had been a change of management at the Co-operative Department store where I was still working and this had made the last two years in the job somewhat unpleasant, and it was at this time that I was informed that the Warwick Cinema in Acocks Green Birmingham needed a Manager so I decided to apply. I was selected for the job and gave in my notice at the Store; many of my colleagues expressed their fear for my future, because as a lot of them said “they’re closing a lot of cinemas down, you’ve got a good future and a job for life here” (ironically the Department Store closed down in 1985, job for life ?) I must admit that in the cold light of day I did have some doubts creep in as to whether I had made the right decision, The Co-op had given me the offer of rescinding my notice right up until my last day of employment there, but running a cinema was a job I had always wanted to do and at the age of 36 I thought that if I had dropped a clanger I could change direction before I was to old, these were the days when you still didn’t need a university degree to sweep the roads and you could finish on a Friday night and get another job on Monday. (How times have changed). I had during my time at the Sheldon applied for the managers job there when Charlie Aston was promoted to General manager, but I was told that although there was no problem with the fact that I could physically and mentally do the job, but at my age of 24 / 25 years old I was considered to young to take on the responsibility of a 1500 seat suburban cinema, so having made up my mind to take on the job at the Warwick I left the store, and I commenced the new job on a dark and cold Sunday February night in 1979.
Now there had been an occasion in the past when June (my wife) and I had been to the Warwick to see a film, it was “The Great Race” with Jack Lemmon and Tony Curtis and it was having a re run at the Warwick, we sat there and as you probably know the Tony Curtis character (The Great Leslie) was always dressed immaculately in white, not so this time, as he moved across the screen and as the camera panned up and down the Great Leslie was immaculately grey not white, this only happened on alternative reels and it was obvious that the mirror on the one projector was not aligned properly, so I went and complained and was assured that the matter would be remedied. I returned to my seat in the back row, and after what was some 10 or 15 minutes I heard a muttering and a mumbling behind me so I turned and looked up and this guy wearing glasses with lenses like the bottom of milk bottles who I later found out was the “Chief Projectionist” and I use the term loosely proceeded to ask “are you the person who’s complained about the film” ? “yes” I replied “what’s the matter with it then” ? and as it happened the problem machine was running at that moment, so I replied “if you can’t see what the problem is from here then there’s no chance of putting it right” and I left it at that. I was still at the Sheldon when this happened and I was telling the tale to the manager and he told me that the Westrex engineer had been called to the Warwick one night because of a problem and the place was in an uproar, he went up to the projection room and looked out of the porthole and the picture was all over the place and he put the matter right and then he tried to explain to this “Chief” what the problem was so that if it happened again he new what to do, the answer he got was “as long the film is feeding from here to here I’m not interested what is going on out there” pointing to the auditorium, so I didn’t know what to expect when I took over, fortunately to my relief this fellow had retired, but my joy was short lived, more on this later.
A brief history of the Warwick Cinema. The Warwick Cinema was built for a company of builders called Smith & Booth, it opened in 1929 as an atmospheric silent cinema on the stadium design, the front doors were recessed back from the building line, and in the arches that were formed very large lanterns hung down for night time illumination, the entrance foyer and waiting areas had large old fashioned fireplaces and suits of armour together with leather chairs and settees. The interior sidewalls were painted with open air scenes of Warwickshire looking out across the countryside through colonnades with ivy and vines growing up them, the back wall was made in imitation castle type building blocks carrying on from the foyer. Noel Wimperis and the Warwick Orchestra played mood music whilst the films were being shown and there was a brenograph installed which projected the sun and moon and stars on the vast vaulted ceiling, as the Warwick Super Cinema as it was called opened the small Picture Playhouse 5 minutes down the road closed. The cinema was converted to sound shortly after it opened, but because it was not designed for sound the acoustics were not very special, however it carried on until it changed hands in the 60s and it was bought by the Victoria Playhouse Group.
To Be continued
as everyone appeared to enjoy the article CONFESSIONS OF A CINEMA EMPLOYEE I decided to put fingers to keyboard again and write another episode entitled FURTHER CONFESSIONS ....... (not very imaginative I know)
so here goes with chapter one.
Further Confessions Of ------
Chapter one
A LIFE CHANGING DECISION.
The Sheldon Cinema had now gone from the face of the earth, and the Presto supermarket was in full swing on the site, we needed another supermarket in this area like a hole in the head.
Now Prior to the final demise of the cinema and during the redevelopment planning process the owners had met with a hostile reception at the initial public meetings, in the redevelopment plans they even offered to include a community center for use by the local population, all this for just a pepper corn rent, if the residents agreed to the proposals, also there was to be a supermarket with a new cinema on the top, plus a small hotel with a multi storey car park at the rear, this first plan was thrown out because the residents whose houses faced onto the car park could all be overlooked by motorists parking their cars. The second presentation which was sometime later had a revised plan a lower multi storey car park, community centre and a supermarket with new cinema on top, no hotel, now the attendance to this second meeting was somewhat less well attended, but never the less the plan was thrown out again. It was now many months down the line and a third and last revised plan and meeting took place, the number of residents in attendance this time was negligible, the plan comprised of just the supermarket and a surface car park, no community centre, no new cinema. The previous opposition had been defeated by the developers spinning the time out and the apathy of the local residents that had crept in during this long and protracted planning application. And so the plans were given the go ahead. Now the public had a supermarket and nothing else and I had a model cinema in the back garden.
The year was 1979 and there had been a change of management at the Co-operative Department store where I was still working and this had made the last two years in the job somewhat unpleasant, and it was at this time that I was informed that the Warwick Cinema in Acocks Green Birmingham needed a Manager so I decided to apply. I was selected for the job and gave in my notice at the Store; many of my colleagues expressed their fear for my future, because as a lot of them said “they’re closing a lot of cinemas down, you’ve got a good future and a job for life here” (ironically the Department Store closed down in 1985, job for life ?) I must admit that in the cold light of day I did have some doubts creep in as to whether I had made the right decision, The Co-op had given me the offer of rescinding my notice right up until my last day of employment there, but running a cinema was a job I had always wanted to do and at the age of 36 I thought that if I had dropped a clanger I could change direction before I was to old, these were the days when you still didn’t need a university degree to sweep the roads and you could finish on a Friday night and get another job on Monday. (How times have changed). I had during my time at the Sheldon applied for the managers job there when Charlie Aston was promoted to General manager, but I was told that although there was no problem with the fact that I could physically and mentally do the job, but at my age of 24 / 25 years old I was considered to young to take on the responsibility of a 1500 seat suburban cinema, so having made up my mind to take on the job at the Warwick I left the store, and I commenced the new job on a dark and cold Sunday February night in 1979.
Now there had been an occasion in the past when June (my wife) and I had been to the Warwick to see a film, it was “The Great Race” with Jack Lemmon and Tony Curtis and it was having a re run at the Warwick, we sat there and as you probably know the Tony Curtis character (The Great Leslie) was always dressed immaculately in white, not so this time, as he moved across the screen and as the camera panned up and down the Great Leslie was immaculately grey not white, this only happened on alternative reels and it was obvious that the mirror on the one projector was not aligned properly, so I went and complained and was assured that the matter would be remedied. I returned to my seat in the back row, and after what was some 10 or 15 minutes I heard a muttering and a mumbling behind me so I turned and looked up and this guy wearing glasses with lenses like the bottom of milk bottles who I later found out was the “Chief Projectionist” and I use the term loosely proceeded to ask “are you the person who’s complained about the film” ? “yes” I replied “what’s the matter with it then” ? and as it happened the problem machine was running at that moment, so I replied “if you can’t see what the problem is from here then there’s no chance of putting it right” and I left it at that. I was still at the Sheldon when this happened and I was telling the tale to the manager and he told me that the Westrex engineer had been called to the Warwick one night because of a problem and the place was in an uproar, he went up to the projection room and looked out of the porthole and the picture was all over the place and he put the matter right and then he tried to explain to this “Chief” what the problem was so that if it happened again he new what to do, the answer he got was “as long the film is feeding from here to here I’m not interested what is going on out there” pointing to the auditorium, so I didn’t know what to expect when I took over, fortunately to my relief this fellow had retired, but my joy was short lived, more on this later.
A brief history of the Warwick Cinema. The Warwick Cinema was built for a company of builders called Smith & Booth, it opened in 1929 as an atmospheric silent cinema on the stadium design, the front doors were recessed back from the building line, and in the arches that were formed very large lanterns hung down for night time illumination, the entrance foyer and waiting areas had large old fashioned fireplaces and suits of armour together with leather chairs and settees. The interior sidewalls were painted with open air scenes of Warwickshire looking out across the countryside through colonnades with ivy and vines growing up them, the back wall was made in imitation castle type building blocks carrying on from the foyer. Noel Wimperis and the Warwick Orchestra played mood music whilst the films were being shown and there was a brenograph installed which projected the sun and moon and stars on the vast vaulted ceiling, as the Warwick Super Cinema as it was called opened the small Picture Playhouse 5 minutes down the road closed. The cinema was converted to sound shortly after it opened, but because it was not designed for sound the acoustics were not very special, however it carried on until it changed hands in the 60s and it was bought by the Victoria Playhouse Group.
To Be continued