Thylacine
master brummie
[The Staffordshire Hoard was briefly mentioned recently on the "See Birmingham by Postcard" thread. In view of the significance of this treasure trove, BHF members and visitors might appreciate a summary of the find and its significance. I've included links for further reading and viewing. Apologies if this has already been covered on the Forum. Corrections, additions and comments are welcome.]
On 5 July 2009, metal detectorist Terry Herbert was searching in a field owned by Fred Johnson at Hammerwich near Lichfield. Imagine his excitement when his detector announced "gold and lots of it". [Excuse my crude way of describing the event: I know almost nothing about the metal detecting art.] Mr Herbert had made one of the greatest discoveries of Anglo-Saxon treasure ever recorded. When the find was completely excavated, it was found to comprise five kilograms of gold and more than a kilogram of silver. But it is the antiquity and remarkable craftsmanship of the 1,600 objects that have attracted the attention of scholars and fired the imagination of the public.
Mr Herbert did the right thing and reported his discovery to the local archaeological authorities. Before long, the local coroner declared the Staffordshire Hoard (as it came to be known) to be treasure, and hence the property of the Crown. By November 2009, the Treasure Valuation Committee had valued the hoard at a cool £3.285 million, this being the sum that had to be paid as a reward to the finder and landowner by the institution acquiring the treasure.
The Birmingham Museum and Art Gallery (BMAG) and the Potteries Museum and Art Gallery (PMAG) jointly raised the required sum from a combination of grants and donations (including £900,000 given by the public). So the treasure is now securely in the care of these prestigious Midlands institutions for the benefit of local people and the wider world. The fund-raising appeal continues, so as to secure a further £1.7 million for conservation, study, interpretation and display.
Many BHF members and visitors will have taken the opportunity to view this treasure at BMAG or PMAG. Those (such as myself) who are unable to attend the museums can enjoy this BMAG flickr collection of images.
The treasure is remarkable in many ways, not least because it contains none of the usual "feminine" items such as personal jewellery. The majority of the objects are of a military or martial nature, such as the sword hilt fitting pictured below left. There is much interpretive work to be done, but the hoard has been tentatively assigned to the 7th or 8th century. It is clearly associated in some way with the Anglo-Saxon kingdom of Mercia, about which there are very few written records for the period in question. This means that the treasure will be very important as an aid to the elucidation of the obscure history of the times. Scholars are going to be busy with the Staffordshire Hoard for a long time to come.
It is difficult to get a feel for what England was like in Anglo-Saxon times. One way to "tune in" is via the poem Beowulf, one the most precious English literary relics. Beowulf survives in a single manuscript (officially known as "British Library MS Cotton Vitellius A.xv") dating from the 10th or 11th century. The poem itself was composed at some time between the 8th and 11th centuries (scholars are still debating the point: Tolkien favoured the 8th century). The language of the poem is Old English, which is incomprehensible to modern English speakers without a great deal of study. The actual setting of the poem is pagan Scandinavia of the early 6th century, but numerous references to Christianity have been interpolated. The heroic tale of warriors and monsters is very much part of the Anglian tradition (the Angles came from what is now the Angeln peninsula in modern Germany, just south of the Danish border). The poem could well have been composed at the Mercian royal court in Tamworth. The earliest known owner of the manuscript was the 16th century antiquarian Laurence Nowell, who was possibly (head)master of Bishop Vesey's Grammar School at Sutton Coldfield in the period 1546-1550.
[Note added: it was antiquarian Laurence Nowell's cousin (of the same name!) who was headmaster of BVGS.]
Pictured below right is the first page of the Beowulf manuscript. And here is a video clip of a remarkable interpretation of part of the poem by Julian Glover (introduced by the late great John Gielgud).
On 5 July 2009, metal detectorist Terry Herbert was searching in a field owned by Fred Johnson at Hammerwich near Lichfield. Imagine his excitement when his detector announced "gold and lots of it". [Excuse my crude way of describing the event: I know almost nothing about the metal detecting art.] Mr Herbert had made one of the greatest discoveries of Anglo-Saxon treasure ever recorded. When the find was completely excavated, it was found to comprise five kilograms of gold and more than a kilogram of silver. But it is the antiquity and remarkable craftsmanship of the 1,600 objects that have attracted the attention of scholars and fired the imagination of the public.
Mr Herbert did the right thing and reported his discovery to the local archaeological authorities. Before long, the local coroner declared the Staffordshire Hoard (as it came to be known) to be treasure, and hence the property of the Crown. By November 2009, the Treasure Valuation Committee had valued the hoard at a cool £3.285 million, this being the sum that had to be paid as a reward to the finder and landowner by the institution acquiring the treasure.
The Birmingham Museum and Art Gallery (BMAG) and the Potteries Museum and Art Gallery (PMAG) jointly raised the required sum from a combination of grants and donations (including £900,000 given by the public). So the treasure is now securely in the care of these prestigious Midlands institutions for the benefit of local people and the wider world. The fund-raising appeal continues, so as to secure a further £1.7 million for conservation, study, interpretation and display.
Many BHF members and visitors will have taken the opportunity to view this treasure at BMAG or PMAG. Those (such as myself) who are unable to attend the museums can enjoy this BMAG flickr collection of images.
The treasure is remarkable in many ways, not least because it contains none of the usual "feminine" items such as personal jewellery. The majority of the objects are of a military or martial nature, such as the sword hilt fitting pictured below left. There is much interpretive work to be done, but the hoard has been tentatively assigned to the 7th or 8th century. It is clearly associated in some way with the Anglo-Saxon kingdom of Mercia, about which there are very few written records for the period in question. This means that the treasure will be very important as an aid to the elucidation of the obscure history of the times. Scholars are going to be busy with the Staffordshire Hoard for a long time to come.
It is difficult to get a feel for what England was like in Anglo-Saxon times. One way to "tune in" is via the poem Beowulf, one the most precious English literary relics. Beowulf survives in a single manuscript (officially known as "British Library MS Cotton Vitellius A.xv") dating from the 10th or 11th century. The poem itself was composed at some time between the 8th and 11th centuries (scholars are still debating the point: Tolkien favoured the 8th century). The language of the poem is Old English, which is incomprehensible to modern English speakers without a great deal of study. The actual setting of the poem is pagan Scandinavia of the early 6th century, but numerous references to Christianity have been interpolated. The heroic tale of warriors and monsters is very much part of the Anglian tradition (the Angles came from what is now the Angeln peninsula in modern Germany, just south of the Danish border). The poem could well have been composed at the Mercian royal court in Tamworth. The earliest known owner of the manuscript was the 16th century antiquarian Laurence Nowell, who was possibly (head)master of Bishop Vesey's Grammar School at Sutton Coldfield in the period 1546-1550.
[Note added: it was antiquarian Laurence Nowell's cousin (of the same name!) who was headmaster of BVGS.]
Pictured below right is the first page of the Beowulf manuscript. And here is a video clip of a remarkable interpretation of part of the poem by Julian Glover (introduced by the late great John Gielgud).
Last edited: